Thursday, July 17, 2014
Sometimes you just want to hit play and hear something that you were waiting for, something that joins to your heart like a key to a lock. It isn’t easy to find that key, even when you have a large jazz library. There is too much to choose from.
Tonight the lock and the key met. I am presenting a paper at the International Political Science Association in Montreal next week and I have been making notes all day. I wanted some music to settle me in as I anticipate the plane ride and a city I have never seen. I got this CD to review and boy did it do the trick.
Andrew Hadro’s For Us, The Living is just splendid jazz. Hadro plays baritone sax and flute. I am very fond of the low horn. It just seems to dig down into my heart. Here is some info on the band:
Hadro's band is a powerhouse, starting with veteran drummer and bandleader Matt Wilson, whose unerring time and creative use of sound give the rest of the band a strong foundation for exploration. Pianist Carmen Staaf, recently accepted to the exclusive Monk Institute, shows again why she's one of the current jazz scene's most sensitive and inventive players. Bassist Daniel Foose works well with Wilson rhythmically and with Staaf harmonically. Together the quartet creates a rich sonic world for each of these compositions.
The album's title comes from President Abraham Lincoln's Gettysburg Address. Lincoln's speech, which marked its 150th anniversary in 2013, urged Americans to appreciate, honor and respect the unsung and fallen heroes, and to further their unfinished work and thus usher in a new era. Hadro felt it a fitting title for an album featuring current American composers who are carrying on the tradition of those who came before.
As I was schooled under a Lincoln scholar, Harry Jaffa, I cannot but salute the historical reference in the title. Lincoln saved the United States both by preserving the Union and by returning it to the founding principle that “All men are created equal”. That is the root from which all American culture flowers. I am profoundly grateful to see this brilliant flower.
Hadro’s band erupts with moody significance. It lifts all sails. All the band is superb. Staaf’s piano makes me want to learn to play the damn thing and makes me despair of ever doing so. Foose keeps laying down pegs into the soil. Wilson’s drumming punctuates my mood.
This is excellent jazz. Buy the disc, if ever you listened to good advice. I am playing
‘Allegrecia’ and ‘Wadding the Sea’ on my Live365 Station.
Monday, May 19, 2014
I got a fine CD last week from master drummer Jeff Cosgrove. Jeff is a fearless explorer of those regions of avant garde hyperspace opened up by the elder captains. I have previously reviewed his amazing tribute to the music of Paul Motian: Motian Sickness.
Alternating Current is another voyage for which you will want to be on board. Cosgrove leads a trio including Matthew Shipp on piano and William Parker on bass. Anyone who has followed this blog or listened to JazzNoteNSU knows that I am devoted to the music of William Parker. I think that he might be the greatest living composer of jazz. I have also featured Matthew Shipp frequently, as I think his word is fundamental. I will take the liberty of including a bit from one of Jeff’s emails: “Playing/meeting Matt and William was definitely life changing. The best part is they are some of the kindest people as well.” I can only imagine, but I am grateful to Jeff for including me in the outreach part of the project.
Finally, I note that the album is dedicated to Andrew Cyrille who, according to the liner notes, “helped connect the musicians for this recording and has long been an inspiration in improvisation”. Cyrille is another master whom I have pushed with all the power of my meagre resources.
The disc has three cuts: ‘Bridges of Tomorrow’ is 38 minutes long. It is textbook free jazz: a weaving of three great minds with thick rope here and stringy sinews there. The second and third cuts are shorter and sweeter, if more impressionistic.
If you love jazz, you will want to get this disc.
Friday, April 11, 2014
I get the occasional cd in the mail for review. This is a very good thing for me. Otherwise I probably wouldn’t have heard bassist Michael Feinberg's Humblebrag Live at 800 East. As it is, I have been listening to it over and over. It is proof that jazz is still generating great art.
Featuring Drum Master Terreon Gulley along with Rising Stars, Including Trumpeter Billy Buss, Saxophonist Godwin Louis, and Pianist Julian Shore
Let me tell you: all these guys could have dropped into any classical jazz album and made his mark. The interplay between the sax and trumpet is exquisite. The brilliance of a combo is the brilliance of its leader. When one horn cuts in and it seems like good news suddenly announced, that is the leader as much as the horn.
Jazz is rooted in the blues. The blues is essentially and alchemy by which the saddest passions are transmuted into ever present beauty. There is all that in Live at 800 East, but there is more of the resultant joy that comes from taking all of life in.
I am playing the title cut and ‘Puncher’s Chance’ on my Live365 station. Listen for them and buy this disc. You won’t be sorry you read this blog.