Coltrane 57.2

This continues an occasional theme: working my way through John Coltrane's sessions as leader.  I posted earlier on his May 31st session, which formed the basis of Coltrane.  On August 16th, after recording with Thelonious Monk, Trane went back into Rudy Van Gelder's studio as leader and recorded four numbers.  Three of them would form the core of the album Lush Life. 

Trane's Slow Blue
Slowtrane
Like Someone In Love
I Love You

Slowtrane was a second take of the first, and would appear on The Last Trane.  These are rather interesting as examples of a "piano-less trio",  something that would cause a stir when Gerry Mulligan tried it.  Earl May plays bass, and Art Taylor drums.  

The recording is quite good, and the trio format allows one to hear the bass pretty clearly at all times.  Trane's horn is fat and romantic.  That thing that everyone who loves Trane loves about Trane is here: an exquisitely smooth flow of notes.  No sheets of sound yet, but something quite compelling and uniquely his is already mature.  'I Love You' sounds a bit repetitive after 'Like Someone In Love,' but again the playing is fine. 

Also included on Lush Life was 'I Hear a Rhapsody', from the May session mentioned above, and 'Lush Life' from a January 10, 1958 session. Here is a sample: the one that didn't make it on Lush Life.

John Coltrane/Slowtrane/1957

 I highly recommend the Fearless Leader box set for any serious Trane traveler.  Enjoying a box set like this requires a little bit of time and effort, but it can be richly rewarding.  One disadvantage is that it is easy to become somewhat contemptuous of the actual albums.  Lush Life was probably assembled by the record people.  I have no idea what input Trane had on the mix of tunes.

I would also note that in this post and many others, I rely heavily on the Jazz Discography Project.  This is a priceless resource for anyone who wants to know who recorded what with who and when. 

Coltrane 57

On the last day of May, 1957, John Coltrane recorded his first session as leader. Six out of the seven takes were released as Coltrane, not to be confused with the 1962 album of the same title.  The last cut, 'I hear a Rhapsody,' would wind up on the hodgepodge Lush Life. Here's the line-up and song list, from the essential Jazz Discography Project. 

Johnny Splawn (tp -1/4) John Coltrane (ts) Sahib Shihab (bars -1,3,4) Mal Waldron (p -1/3) Red Garland (p -4/7) Paul Chambers (b) Albert Heath (d) Rudy Van Gelder Studio, Hackensack, NJ, May 31, 1957

1.	Straight Street
2.	While My Lady Sleeps
3.	Chronic Blues
4.	Bakai
5.	Violets For Your Furs
6.	Time Was
7.	I Hear A Rhapsody

The great Prestige session with the Davis Quintet were behind him, but he probably looked to everyone like a great sideman with a chance to come into his own.  Coltrane was not yet his moment, but it is very solid hard bop and Trane's brilliant sound, all his own, is on fully display here.  There is just no other horn in jazz that ever opened up the same space or achieved the same velvety rich emotional texture.  

Mal Waldron plays on the first three numbers, and Red Garland thereafter.  Waldron would prove to be the genius, but I think that Garland's work on this album is superior.  

The highlight of the album, and what sets is apart from rest of the work in the Fearless Leader Box, is Sahib Shihab on  baritone sax.  Trane would later deploy a lot of low horns, especially on his Africa Brass Sessions.  I wish he had done more of that here, for the effect is electrifying.  This is especially evident on 'Bakai'.  

But here is the best cut from the May 31st session.  It is a straightforward blues, and Shihab lets it rip with his opening solo.  Trane follows, his notes climbing on top of one another in contrast to Shihab's serial blows on the baritone.  Splawn's solo is the least impressive.  He plays as if he thinks he's supposed to be keeping some kind of secret, but that's not so bad for by then the secret is out.  Waldron turns the dial back up by dissecting the melody into chunks, and the chunks into individual notes.  Each little section rings like a sweet bell tone.  I love this cut, if you can't tell. 

Chronic Blues

Coltrane 57 is well worth having your Trane set.  If you don't have it, I highly recommend the Fearless Leader box.  It is the best presentation of Coltrane' s work before he really comes into his own with Giant Steps.  The single recording is also available from eMusic for 6 credits.  

Enjoy.  Purchase.  Drop me a line.